voici la video
https://www.youtube.com/watch?v=YMFu9ArkZh0

Edit svtm :
(Merci Cotorep)

Merkiiiiiiiiiii       

Merci!!!!!! C est trop génial .

Really nice live. Even with not a permanent drummer.

Thanks you Cotorep for the link, of this great show! 

It was very pleasure to ear Soulmates, it's my favorite song of SWG album. Great to have Pure Morning in the playlist again, cause I thought Brian hates the lyrics of the song.

Is Brian's green Fender Jaguar guitar new? Never seen it before. 

Nancy Boy was a bit disapointing, his voice can't go in high-pitched anymore, and wasn't very rightfully.

Re-Merkiii
Va falloir que j'améliore mon vocabulaire en anglais, j'ai du mal à comprendre les blagues... 

I will disagree with jesus's son about molko voice.

Voice type: Tenor
Total range: B♭1-D5
Sung range: D2-D5

Significant high notes:
D5 ("Hardly Wait", "Space Monkey" live)
C♯5 ("Space Monkey" live)
C5 ("Space Monkey" live)
A4 ("Ashtray Heart", "Nancy Boy", "Because I Want You" live)
G♯4 ("The Bitter End", "36 Degrees", "Because I Want You" live)
G4 ("Meds", "Post Blue", "Blind", "Bruise Pristine", "Because I Want You", "Scene of the Crime")

Significant low notes:
B♭1 ("First Day")
D2 ("In the Cold Light of Morning", "West End Girls")
E2 ("Ashtray Heart", "In the Cold Light of Morning")
F2 ("I.K.W.Y.L", "This Picture", "I Know You Want To Stop")
F♯2 ("The Extra")
G2 ("First Day", "Bright Lights", "West End Girls", "Scene of the Crime")
G♯2 ("Summer's Gone")

I'm not a professional eather, But of what I understand, each voice type matches with notes : A, B, C,D, E, F, G (La, Si, Do, Ré, Mi, Fa, Sol - in French)... But I don't understand why you disagree with me dikano2, Nancy boy is indeed a high note, but Brian couldn't get a high voice like in old times.

Anyways thanks for the link of the interview, the joke about Jeremy Kyle be interviewed by Jeremy Paxman, I laugh so hard! 

And  yes Brian did present Matt Lunn.

Dernière modification par jesus'son (05-10-2016 16:38:16)

Dear Dikano2, I didn't say it was wrong or anything, to not be agree with me. It's ok to have different point of view. I just didn't understand why!
I will search more about voice range; my knowledge is a bit poor. Thanks for your suggestions. 

Dernière modification par jesus'son (05-10-2016 17:45:59)

Transcription : avec des erreurs...

- None of those are working...
Brian : He works for the BBC !
Shaun Kaeveny : I'm supposed to be here !
B: And he's very famous !
SK : Are you sure it's on ? Oh, i can hear it now ! Ladies and Gentlemen, we are here in the Live Room basement...
B : He does every show "commando"...
SK : Brian, please, do not swear ! We are live on BBC Radio 6 Music. We are about to enter... We're going through the Portal... It's like an episode of Stranger Things, this. It's really odd. We are in [V4 ?] because, this is a sort of [maizening ?] section here. Stefan is holding my clock. So i know exactly how long i've got. It's a bit old school, isn't it ? You know to be honest, i can't really read analog clocks. I prefer the digital ones.
Stefan Olsdal : My clocks are always about 10 mn ahead, so i'm never late for stuff.
B : You should hang this one on a neck. Black up and do a "flavour-flavour" impersonation !
SK : You don't want us... People always say SK's got a massive clock... They always say that... I've got to try to remember what time of day is here... Brian and Stefan, thank you very much indeed ! And who... Can you introduce the rest of the band here, that we have behind us ?
B : Yes ! On guitar and occasional bass, we have Nicholas Gavrilovic... On drums, we have Matthew Lunn... On piano, violin, we have miss Fiona Brice... On keyboards, we have William Llyod... And then, there's Stefan...
SK : Tall, isn't he ?
B :...He does lot of things with metal boxes... I do something quite similar !
SK : I've never seen what i think [is unusual... here are]... We have a bigger pedal bay for the bass here than we do for the drums ?
S : You see... I can never decide what i wanted to play... So i play both bass and guitar !
SK : Oh yeah !
S : Not at the same time... I haven't got one of those...sort of one guitar and one bass in one instrument... But i do swap. So hence a set up of bass pedals, a set up of guitar pedals.
SK : You've doubled dock, i understand !
B : We don't believe in a double neck [guitar]. The double neck, we believe, is an atrocity !
SK : It gets a little bit like "Mike and the Mechanics", isn't it ? If you're not careful ?
B : Who's that ?
SK : An [harsh ?] diablery from Brian... Now i'm gonna say this all story began... I mean the superfans... By the way, hello everybody up on the mezzanine ! Are you excited to be here ? On radio show [?]... ?
B : Imagine the girl who accosted me in front of the chemist is here !
SK : Who's that ? Can you show yourself girl from the chemist ? She's too embarrassed ! I see you !
B : Oh yeah, there you are !
SK : Well you're not a pharmacist ? No ? That's a shame ! Cause i 've got a weird [skin] rash !
B : No, she's not ! She 's a fan/friend now ! She's a very good fan/friend !

A suivre !

B : I have a tendency not to look back. It's a bit...you know the [offensive] looks back for mistakes, the person who appreciates looks back in another way, with another point of view... But i mean there were quite a few but let's say time, you know, spending five years in the orbit of the Spaceman, the Thin White Duke, the unimitable David Bowie, was... And learning so much from him when we were...babies... It was a pretty important step.
SK : It's difficult to do interviews with certain people without mentioning him. Because of course, his loss is still keenly felt, isn't it ? It was in January. i was gonna ask you about that. What was...You were kind of friends, you guys, weren't you ? So i mean, did you have long conversations into the night about your art ?
B : Not about art in general... You know he was the first person to talk to me about the email and art, music, literature and just kind of life, really.
SK : Such a sage, ahead of the [curve ?]. By 11 years understanding every single thing, i mean, to have a conversation about email in 1996 or something ! What the hell were you talking about ? Letters that you can send elec[tronically]...shut up ! But he was the first guy to do so many things !
B : But i could never catch on ! That all internet thing, we've gone here in a couple of years ! I'm not bothering with that !
SK : I think Jeremy...somebody, there's an interview on YouTube, well Jeremy Paxman, he's talking to David Bowie about the internet... And David is talking about just how important it's going to be... And you can see Jeremy Paxman is going like "no man...not exactly...i don't think it's going to catch on...i think you're barking at the wrong tree there, David" !
B : You know what i'd like to say i see Jeremy Paxman interview Jeremy Kyle !
SK : Oh, Jeremy Paxman on Kyle !
B : No the other way round !
SK : Kyle...
B : Kyle on Paxman ! Imagine, imagine the destruction ! Imagine the blood and the guts, you know, quite deservingly sawed for the most sanctimonious man in the universe !
SK : That's a brilliant idea ! I will put that forward to the man there at the BBC... With such a big back catalog as well and when you're doing gigs, you can [share and pick] anything of the all back catalog... How do you approach that ? And do you have songs that you favour to play, you look forward to, and songs you go "crack, i can't be doing it" ?
B : Yeah ! Yes !
SK : Which are they ?
SO : We haven't told anyone ! This is the first gig of this kind, of retrospective 20th anniversary, today, right here at 9am in the morning !
SK : It is incredible privilege to be here, isn't it ? That's a good point !
SO : There's gonna be blood, sweat and tears... Really trying getting here today... Our relation with our past and our back catalog tends to be a little bit fraught. As Brian mentioned earlier, we [are] looking back, we only see the mistakes, really. We always feel rather, we wanna play new stuff, you know. But if you gonna go around doing 20, like a retrospective 20 anniversary, we can't. We just have... How do we make the old stuff sound good now ? How can we connect to it now ? So that's been a challenge !
B : And we basically sort of choose songs that, in the end of the day, don't make us want to go, and for us that's under a train ! There's been a couple of time doing rehearsals that we wanted to do that ! So, we went to the station... But unfortunately, it was Southern Rail ! So it's like we're still here !
SK : A huge delay ! Thank you Southern Rail for that ! For the first time ever, these guys are gonna be performing an incredible career [outstanding ?] set ! They've come to terms with [parts ?] of their past. They're doing this for us, we haven't thank them enough ! Can we have a massive round of applause for Placebo to be here live and [dangerous ???] in a moment...

  Oui merci Svtm, je n'avais pas tout capté !!! 

Mais de rien !

PS : oui...j'ai fini à minuit hier soir...mais cela valait la peine... "Placebo" super détendu et blagueur...